>It occurs to me that in some ways you're trying to learn to tell your stories >in the fewest possible words. From writing novels (250-350 pages), to plays >(? >pages) through TV episodes and Movies (50-100 pages) and audio dramas (? >pages), you're now writing a fair number of comics with only 22 pages, though >I >know that the scripts are more with your panel descriptions. > >I'm just wondering if this is a progression you've been doing deliberately, >to >find the perfect balance of verbal and visual maybe, or just how things >happened? Maybe your background as a journalist is telling ("specificity is >your friend")? Or should I start working on getting telepathic so you can >just >p'think your stories this way? >
I think (p'think?) it's just the way things have laid out lately. In truth it's very difficult for me to tell a short story; with me, everything's a long russian novel. Even with the comics being 22 pages each, they are still part of a larger story or arc, and the RS and Midnight Nation stories were/are both just plain big for a form that usually measures arcs in 3-6 issues.
Just long-winded, I guess. jms
(jmsatb5@aol.com) (all message content (c) 2003 by synthetic worlds, ltd., permission to reprint specifically denied to SFX Magazine and don't send me story ideas) |
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